A Book Review by Laura Stamps

THE WREN NOTEBOOK
by Rick Smith, 2000, 63 pages, paper, $10.00 (Lummox
Press, P.O. Box 5301, San Pedro, CA 90733-5301)

This is one of the most beautifully designed small press poetry books
I’ve seen. It is the first volume in the Little Red Book Master
Series, and is now in its second printing. The type is set in Tempus Sans ITC
and complemented by the joyful pen & ink illustrations of Judith Bever.
Additionally, little bird feet dangle at the end of each poem—yet
another visual treat for the reader. This book is truly a collector’s
delight.

Rick Smith is a poet, songwriter, blues harpist, and the son of painter
William A. Smith. He grew up in New York and Pennsylvania, and went on
to study with Anthony Hecht at Bard College. In 1965 he founded the
City Lights Band and has recorded with several of the great blues
musicians of our time. He and his wife Erika direct BACK IN THE
SADDLE, a residential treatment program for brain-damaged adults in Apple
Valley, California. Smith has published over 100 poems in small press
journals, and this is his second book.

This is a collection of 34 loosely structured poems, each titled by its
first line, casting the poet in the character of a wren. I cannot
thinkof a more charming role for a poet to play than one such as this—a
tiny, delicate bird floating on the wind from day to day, observing the
intricate details of nature and life from a higher perspective. And so
begins a journey with wrens around the world and their simple wisdom.

      “If you watch from above,
      some boundaries are different.
      Frontiersand datelines
      are inventions,
      theory, not really
      of this earth.
      They are, simply,
      not there, even
      through these puzzle clouds
      and turtles
      in the sky.”

      “Wren loses his place
      in the wires.
      You know how they smile
      their wren smiles
      when they dive.

      To lose footing and smile,
      that’s
      the way it is
      up in the air.”
      “Marsh Wren has this habit:

      I build, I build, I build and
      I build but it is
      all display.

      I do not pause to organize
      these constructions.”

      “Something is going on
      in the north of Spain
      and winging over the Guggenheim,
      I’m so incredibly brown
      it would help to be color blind.
      Something about spring:
      it’s a trick
      to nest in a building
      made of titanium.”

      “The wild Mexican wrens gather
      out of Temecula and
      if there is peach cobbler involved
      they break into improvisation
      that will turn some heads.
      The highs pierce the sky.
      The wrens break down the
      gates of themselves until
      they nearly howl.
      Anything with a mouth can
      do some damage
      if the sky stays big enough.”

Don’t let the beauty of this book lure you into thinking these poems
are as lightweight as the feathers of a wren. Smith is a poet secure in
his ability to write accessible poems that speak serious truths to the
heart. This book is a pleasure to read, and one you will return to
again and again. Ultimately, the desires of the wren are universal: we
are all seeking contentment in a turbulent world

      “If I can only find
      St. Francis,
      even a replica,
      I’ll climb up into whose loving arms
      and let them make me into wood
      so I can sit safe and carved
      in the bluest of the night.”

© Laura Stamps
laurastamps@mindspring.com